Announcing “Tapestry”

FRANCESCO CROSARA (piano & keyboards), GAIL PETTIS (vocals), JOHN STOWELL (guitar)

The Royal Room is proud to present the premiere of TAPESTRY, an intimate Jazz performance which brings together 3 distinct musical talents, highlights the diversity of each artist’s individual music approach, coming together in different combinations (trio, duet, solo) and weaving their music styles to create something unique and inspiring. The trio will present original compositions and select standards arrangements. 5000 Rainier Ave S, Seattle, WA 98118 https://www.strangertickets.com/events/141479349/tapestry

Graphics courtesy of Julia Crosara

FRANCESCO CROSARA: Originally from Milan, Italy, Crosara’s music melds an impressive mix of jazz improvisation, a romantic vein from his classical training, along with Latin influences. Crosara stands among the European-bred jazz greats, performing over the years with the likes of Lionel Hampton, Freddie Hubbard, Roy Hargrove, Richie Cole, Bobby Shew, Ira Sullivan, Don Menza, Von Freeman, John Heard, Gabe Baltazar, Mayuto Correa, Bruce Forman, Barbara Morrison, Earl Palmer, Lilian Terry, and more. His recordings have featured a multicultural and international array of musicians. He has performed at festivals and venues across the USA, Japan, Canada, Mexico, France, Spain, and Italy. Since 2017, the Pacific Northwest can claim Crosara’s talents, too, as he’s demonstrated an eagerness to contribute to the local scene. Francesco was selected to perform at the 2021 Earshot Jazz Festival in Seattle and has been featured two years in a row in the trend-setting Earshot Jazz: The Second Century series for his bold and innovative music composition and video editing work. Equally adept with acoustic and electric jazz concepts, Crosara routinely headlines trios and quartets with the area top musicians.

GAIL PETTIS: Named ” 2010 Northwest Vocalist of the Year,” by Earshot Jazz Society, (also 2007), Gail’s rich, warm vocals and understated phrasing have been described as “deliciously soulful” by Cadence Magazine. Gail’s live performances have been described by Earshot jazz as going “…from strength to strength, performing a winning, crowd-involving style of vocal jazz.”. As artist-in-residence at the Amersfoort Jazz Festival in the Netherlands in 2006, she was featured artist with the New Manhattan Big Band, also Eddie Conard and the Dutch Jazz Cats on the mainstage and smaller combs in venues in Amersfoort and Harderwijk. Included on this tour was a stop in Kobe, Japan to perform as a guest artist at KAVC Hall as First Place winner of the Seattle-Kobe Female Jazz Vocalist Audition. She has also performed at the Gene Harris Jazz Festival in Boise, Idaho, Jazz at the River Festival in Eagle, ID. Most recently, Gail completed Russian tours in the spring of 2015, performing in Moscow, St. Petersburg, Novosibirsk, Ufa, Ivanova and Perm and returning in the summer for a tour anchored by the White Nights Jazz Festival.

JOHN STOWELL began his successful career in the early 1970’s with private study with guitarist Linc Chamberland and pianist John Mehegan. Both men were valuable mentors to John, allowing him to play with them as he progressed in his development. Several years later he met bassist David Friesen in New York City, and they formed a duo that recorded and toured prolifically for seven years, with performances in the United States, Canada, Europe and Australia.

In 1983, John and David joined flutist Paul Horn and Paul’s son Robin Horn (on drums) for a historic tour of the Soviet Union. This was the first time in forty years that an American jazz group had been invited to play public performances in Russia. In 1993, 1995, 1998 and 2012 John returned to Russia, playing in numerous cities. His two sold-out performances in Kursk may have been the first appearances there by an American jazz musician. John continues to tour, record and teach internationally. He has been Artist-In-Residence at schools in Germany, Indonesia, Argentina, and in the United States and Canada. He served as assistant director and performer in Oregon Public Broadcasting’s PDX Jazz Summit in 1991, and since 1995 has been a contributing columnist for a number of magazines, including “Downbeat”, “Guitar Player”, “Canadian Musician”, “Soundcheck” (Germany), and “Guitar Club” (Italy).